Ivan Plays Over

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Published 9/1/2026
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The first time Ivan came over, he spent ten minutes staring at my fish.

Not the bowl. Not the plastic castle floating sideways in the gravel. The fish itself. A fat orange thing with a torn tail and one eye that never quite closed. It stared back at him with the other one, dead and patient, like it knew something we didn't.

“Its name is Crunchwrap,” I said.

Ivan didn't laugh. He didn't even smile. He just leaned closer to the bowl, his nose almost touching the glass, and said, “Does it bite?”

“It's a fish.”

“That's not what I asked.”

I'd known Ivan for three years by then. Three years of sitting next to him in class, watching him draw spirals in the margins of his notebook while the teacher droned about things that didn't matter. Three years of him walking me home because my house was on his way, even though it wasn't. Three years of him never once asking to come inside.

Until today.

Today he'd just said it, flat and casual, like he was asking for a pencil. “Can I come over?”

And I'd said yes before my brain caught up with my mouth.

Now he was in my living room, inspecting my fish like it was a museum exhibit, and I was standing behind the couch like an idiot, trying to remember if I'd cleaned my room.

“You live alone here?” he asked.

“With my mom. She works nights.”

He nodded, still watching Crunchwrap. The fish rotated slowly in its bowl, dragging its torn tail through the water like it was too tired to care about anything.

“Your mom lets you name fish after fast food?”

“She didn't have a choice. I was seven.”

Ivan finally turned around. His eyes were dark and quiet, the kind of eyes that made people think he was always thinking about something else. Maybe he was. I never knew what went on in his head, and I'd stopped asking.

“Can I see your room?” he said.

My stomach did something stupid. “It's a mess.”

“I don't care.”

He said it like it was obvious. Like of course he didn't care. Like why would he care about something so small?

I led him down the hall, past the bathroom with the cracked tile, past my mom's room with the door always closed, to the end where my door was covered in band stickers and a faded drawing of a skull I'd done in sharpie when I was twelve.

I pushed it open.

My room was small. Bed in the corner, desk by the window, clothes on the floor. A guitar propped against the wall with two strings missing. Posters of bands he'd never heard of, probably. A stack of notebooks on the nightstand full of lyrics I'd never show anyone.

Ivan walked in like he owned the place. He sat on my bed without asking, bounced once on the mattress, and looked around with that same quiet attention he'd given Crunchwrap.

“You write songs,” he said. It wasn't a question.

“I mess around.”

“Can I read one?”

“No.”

He didn't push. He just nodded, like he'd expected that answer, and leaned back on his hands. The springs creaked under him. Outside, a car honked twice and then went silent.

“Your room smells like you,” he said.

I blinked. “Is that a good thing?”

“I don't know yet.”

I sat down on the floor across from him, my back against the desk. The distance felt right. Close enough to talk, far enough to breathe.

“Why did you want to come over?” I asked.

Ivan looked at me for a long moment. His face was hard to read, like a book written in a language I only half understood. Then he shrugged.

“I wanted to see where you live.”

“This is it. One bedroom, one bathroom, one fish with one eye.”

“It's nice.”

“It's a dump.”

“It's yours.” He said it simply, like that explained everything. Maybe it did.

I didn't know what to say to that, so I didn't say anything. I pulled my guitar onto my lap and strummed the three strings that still worked. The sound was thin and sad, but it filled the room better than words could.

Ivan lay back on my bed, staring at the ceiling. There was a crack in the plaster that looked like a river. I'd traced it a thousand times when I couldn't sleep.

“Play something,” he said.

“I don't know anything finished.”

“Play the unfinished part.”

I hesitated. My fingers found a chord progression I'd been working on for weeks, something that felt like walking home in the rain. I played it slow, letting the notes hang in the air like smoke.

Ivan closed his eyes.

I kept playing. The song didn't have words yet. It didn't need them. The melody did the talking, rising and falling like a question that didn't want an answer.

When I stopped, the silence that followed was heavier than the music had been.

“That was good,” Ivan said. His eyes were still closed.

“It's nothing.”

“It's not nothing.”

I set the guitar aside and hugged my knees to my chest. The floor was cold through my jeans. The window was cracked open an inch, letting in the sound of traffic and someone's dog barking three houses down.

“You always do that,” Ivan said.

“Do what?”

“Say what you make is nothing.”

I opened my mouth to argue. Closed it. Because he was right.

“It's easier that way,” I said.

“Easier for who?”

“For me. If I don't call it something, I can't be wrong about it.”

Ivan opened his eyes and turned his head to look at me. The light from the window caught his face, making his skin look pale and young. He looked like he was about to say something important. Then his stomach growled, loud enough to shake the bed.

I laughed. I couldn't help it.

“Shut up,” he said, but he was smiling. A real smile, small and crooked and rare.

“You're hungry,” I said.

“I haven't eaten since breakfast.”

“That was seven hours ago.”

“I'm aware.”

I stood up and offered him my hand. He took it. His palm was warm and dry, and for a second neither of us let go.

“I have instant ramen,” I said.

“Is that an offer?”

“It's the only thing in the kitchen.”

“Then yes.”

We ate sitting on the floor of the living room, bowls balanced on our knees, the TV playing some drama neither of us was watching. Crunchwrap floated in his bowl on the coffee table, his one eye watching us like we were the entertainment.

Ivan ate his noodles like he was mad at them. Loud slurps, aggressive chopstick work, broth dripping down his chin. I'd never seen anyone eat with such violent enthusiasm.

“You're a disaster,” I said.

“You invited me.”

“I'm starting to regret it.”

He grinned at me, noodles hanging from his mouth, and I threw a napkin at his face.

This was stupid. This was so stupid. I'd spent three years building a wall between us, keeping him at arm's length, telling myself it was better that way. And now he was in my house, on my floor, eating my cheap ramen like it was the best meal he'd ever had.

“Till,” he said.

“What?”

He swallowed. Set down his bowl. Looked at me with those dark, quiet eyes.

“I'm glad I came.”

The words sat between us, simple and dangerous. I didn't know what to do with them. I didn't know what to do with him.

“Me too,” I said. And I meant it.

He smiled again. That crooked, rare thing.

And then he picked up his bowl and went back to attacking his noodles like nothing had happened.

But something had happened. I could feel it, a crack in the wall I'd built. Small and thin, like the river in my ceiling.

I didn't know if I wanted to fix it.

Or let it break open.



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