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Make a UGC ad that converts

20 min + render time

Why UGC works — and why it's hard to fake

UGC (user-generated-content) style ads outperform polished spots on social because they don't look like ads: one person, direct to camera, telling you about something like a friend would. The catch: the style is a discipline. Handheld energy, imperfect lighting, testimonial pacing — get one wrong and it reads as corporate cosplay.

The UGC format preset encodes that discipline. Choose it and the director-brain plans selfie-style MCU/CU framing, splits the testimonial into 1–2 sentence beats, and writes prompts that say "smartphone footage, creator vlog style" instead of "cinematic film still."

Step 1 — Set up the brand (once, reusable forever)

Before creating the show, build a Brand kit in the New Production form (+ New next to the brand-kit select):

  • Name: your product or client.
  • Brand brief: tone, tagline, CTA, and hard rules. Example: "Playful but premium. Tagline: 'Wake up on the right side.' CTA: 'Link in bio.' Never mention price, never show competitors."
  • Image URLs: product shots and logo, one per line.

Two things happen when a show uses the kit: the brief becomes a strict directive to the director-brain (your CTA and tone survive the breakdown), and the images arrive as pre-approved prop canon — your actual product, usable as a reference in any shot.

Step 2 — Create the show

Press Start this project below. Check the settings: format UGC, aspect 9:16, and attach your brand kit. Roll camera on the script.

In the breakdown, verify the shape: no establishing wides, one presenter, dialogue chunked into short beats, your product as canon. That's the format preset working.

Step 3 — Canon: the presenter is your ad

Spend your care on the presenter's canon image. UGC lives or dies on the person feeling real: specific, casual, imperfect. "Mid-20s, curly hair in a claw clip, hoodie, ring-light glow" — not "beautiful influencer."

Point the product shots at your brand-kit prop via the Refs chips, so the real bottle/device/app appears — not a hallucinated cousin of it.

Step 4 — Generate, then give it a voice

After the shots render, hit 🎙 Narrate all. Every dialogue beat gets a voiceover clip in the show's cast voice (pick one in the Export phase's Audio panel — try Aria or Liam for creator energy). Preview each line on its shot card; Re-narrate any read you don't like. Editing a line's text automatically invalidates its old audio.

Lip-sync note: the video models animate the presenter talking, and the TTS track carries the words. They're close but not phoneme-perfect — which, for UGC, usually reads as authentic. For hero lines where sync matters, keep the on-screen beat short.

Step 5 — Captions and the CTA

Social autoplay is muted. Captions aren't optional.

  • On each shot card, set Caption / CTA overlay — default to the dialogue line, punchier if you can.
  • On the final shot, the CTA: "Link in bio →".
  • Export gives you a standard .srt file, and the overlays preview live on the timeline monitor.

Step 6 — Assemble and ship

In Export: generate a music bed if the ad wants one (keep it low-key: "soft lo-fi beat, unobtrusive"), then Assemble preview cut — narration and music are mixed into the final render, already vertical because you shot 9:16.

The UGC checklist

  • Hook lands in the first shot (a claim or a "wait, what?" visual)
  • Presenter feels like a person, not a render
  • Real product (brand-kit ref), not a lookalike
  • Every beat captioned; CTA on the last frame
  • Under 60 seconds; trim the flabby tails off clips on the timeline

Next lesson: Cut a trailer — spectacle models and accelerating pacing.

Reading is 10%. The other 90% is rolling camera.

Start: The Pod-Person Review

Opens Shows with the script and settings from this lesson pre-loaded.